Welcome back—or if you’re new here, hello! I’m a New York–based performer, originally from East Tennessee. Thanks to my family’s support, I started performing center stage at age 9. I’ve been fortunate to have worked consistently on professional, regional, and LORT stages alongside renowned talent and directors. Growing up in the theatre cemented my dream of being a lifelong entertainer. I love the stage, the camera, the scores, the production, the effects, the props- EVERYTHING that creates the magic of this business. After completing my third national tour, I’m elevating my dreams by stepping into an exciting new phase. Splitting my time between New York and Los Angeles, pursuing opportunities on both coasts while creating my own work as a writer and producer. Post-college life has been a gift: time to create, collaborate, and push my craft in new ways. Please stay a while and browse through my site. I hope that someday, we’ll meet in the audition room, on a stage, at the stage door or behind a camera. Until then…
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Exciting News!
I can't help but feel a sense of gratitude and excitement that comes from being a part of the Goodspeed Festival of New Musicals. This year marked my second time participating in this incredible event, but it was a completely different experience than the first. Instead of being behind the table as a production assistant, I was fortunate enough to join the talented cast of the new musical, Double Helix, as the character Raymond Gosling.
The entire two-week experience was a whirlwind, and I am so grateful to have been a part of it. I am proud to say that I have now experienced both sides of this crazy process. Putting a basically sung-though musical together this fast have me spending most my nights after rehearsal, in my room, with only me and the everchanging script. We were constantly receiving edits to the script and score, and it was a real testament to the team's talent and hard work that we were able to learn a basically sung-through musical in just two short weeks.
But even with the long hours and the pressure to deliver a great performance, there was a sense of joy and excitement that permeated every aspect of the process. From the first table read to the final performance, we were all working towards a common goal and were committed to creating something truly special.
enough to be cast as one of the "players," the cultish ensemble responsible for executing some of the show's most challenging dance numbers.
From the very beginning, it was clear that this production was going to be something special. O'Flarity
LAST HARTT SHOW PIPPIN:
As a performer, there are few experiences quite as exhilarating as being a part of a successful theatrical production. For me, that experience came in the form of the musical "Pippin," directed by Michael O'Flarity and choreographed by Taylor Zappone. I was fortunate
